Lee in Cerulean, Halo Vaste II, joint compound and acrylic paint on canvas, 48 x 48 inches. Square textured painting with a deep blue background, a gold semicircle of concentric raised ridges at the top edge, and a tall gold arch of ridges rising from the bottom edge.
Lee in Cerulean, Halo Vaste II, joint compound and acrylic paint on canvas, 48 x 48 inches. Square deep blue painting with a gold semicircle and gold arch, hung above a stone fireplace in a living room with two rust-colored armchairs, a round wood side table, and built-in shelving.
Lee in Cerulean, Halo Vaste II, joint compound and acrylic paint on canvas, 48 x 48 inches. Square deep blue painting with a gold semicircle and gold arch in a thin white float frame on a light grey wall.
Lee in Cerulean, Halo Vaste II, joint compound and acrylic paint on canvas, 48 x 48 inches. Square textured painting with a deep blue background, a gold semicircle of concentric raised ridges at the top edge, and a tall gold arch of ridges rising from the bottom edge.
Lee in Cerulean, Halo Vaste II, joint compound and acrylic paint on canvas, 48 x 48 inches. Square deep blue painting with a gold semicircle and gold arch, hung above a stone fireplace in a living room with two rust-colored armchairs, a round wood side table, and built-in shelving.
Lee in Cerulean, Halo Vaste II, joint compound and acrylic paint on canvas, 48 x 48 inches. Square deep blue painting with a gold semicircle and gold arch in a thin white float frame on a light grey wall.
LEE IN CERULEAN

Halo Vaste II

$2,200.00
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  • Halo Vaste II
  • Lee in Cerulean (Philadelphia)
  • Joint compound and acrylic paint on canvas
  • Size: 48" x 48"

Jerilee, a Philadelphia-based artist working under the name ‘Lee in Cerulean’, creates striking minimalist pieces. For Lee, simple curves, asymmetry, and overlapping forms reflect the beautiful world around us—and find, within our surroundings, the continuity, serendipity, and at times mundane nature of everyday life. Deriving from the Japanese Wabi-Sabi philosophy’s embrace of imperfection, highly textural pieces show Lee’s freeform strokes, using a blend of joint compound, acrylic paint, and a myriad of other media. Under this philosophical orientation, ridges and built-up materials are a reminder that we continue to evolve, just as nature does.

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